
Kypseli
Special Guest Teachers
Yiannis Dimas, professor at the University of
Thessalia, Greece, joins us to teach dances from the Vlach villages of Greece.
Yiannis was born in Tzourtzia of Aspropotamos, in the Pindus Mountains. He has
served as president of the National Organization of Vlachoi and is advisor for
members of the PanHellenic Federation of Cultural Associations of the Vlachoi.
He is also Dean of the School of Traditional Dance "Meteora" in Kalambaka and
Dean of the Academy of Traditional Dance of "Leventia" in Trikala. Mr. Dimas
has taught over 110 seminars on Greek dance throughout Europe, North America
and Africa and is recognized as an authority on traditional dance and the
Greek culture.
Mary Coros, is a highly esteemed exponent of Cretan dance, widely regarded
as one of the finest female Cretan dance stylists in the world. Dr. Coros has followed the
inspiration of her own Cretan heritage in the study of dance over many years, culminating in
her PhD. in Arts Education from the University of Toronto.
As a professional choreographer,
she created a Cretan suite for the famous Aman Ensemble. She was the choreographer and artistic
director of Odyssey '93, a Cretan troupe sponsored by the PanCretan Association of America that
toured Greece performing traditional dance, music and songs from Crete.
Born
in Thiva, Greece, Tony Petroulias started dancing at the
age of three at family gatherings and local feast day
celebrations. He and his family immigrated to San Diego in 1969,
where they preserved and celebrated the customs, language and
folk dances of Greece. The family returned to Greece in 1974, and
Tony joined the Lykeion Ellinidon of Thiva dance troupe, which
taught the dances of all regions of Greece. He danced with the
Lykeion for 5 years. In
addition to dance troupe performances, Tony danced at innumerable
feasts and celebrations throughout the villages of central Greece
and the island of Evia, learning the local dance history and
dance styles of the various regions and villages. Returning
to San Diego in 1979, Tony began dancing, performing and teaching
Greek folk dance at St. Spyridon Greek Orthodox Church, where he
has continued to teach and direct for 25 years. Tony
has participated for many years in the acclaimed Greek Orthodox
Folk Dance Festival -- a national competition with over 100 dance
groups -- as dancer, choreographer, costume director and dance
director. He has been the recipient of numerous awards, including
the coveted Sweepstakes Award, which recognizes the highest level
of skill and achievement. Tony
has returned to Greece every summer to research and document the
dances, music and traditions of the regions of Epirus, Sterea
Ellada, Thessaly, Macedonia, Crete, and the Cyclades and
Dodekanisa Island groups. She has been
active in the Lykeion ton Ellinidon since her childhood in
Kalymnos, where the focus is on Asia Minor and Kalymnian dances.
In Kalamata, she specializes in the mainland dances of Greece.
She has performed in many major cities in Europe. Presently
appointed to the board of directors of the Lykeion, she
coordinates the folk singing group and is assistant director of
all dance groups. "In the last four years, my husband Pavlos
has also become a member of the Lykeion and has joined me in many
performances." Not only is
she blessed with a fine singing voice like her mother, Kalliopi
"Popi" Mavrou, who is president of the Lykeion ton
Ellinidon of Kalymnos, Anna has a sensitivity to traditional
styling. Her vocals can be heard on the CD, "Ellada Pou Den
Xerete," (The Greece You Don't Know.) Photo by Joan Friedberg In addition to the
annual Seminar on Greek Traditional Dance founded in 1986 with
his father, the renowned dancer Simos Konstantinou, in 2002
Yannis began organizing a Balkan Seminar in Prespes, where he and
other dance specialists from neighboring Balkan countries present
dances, music and folklore of various geographical areas and
Balkan ethnic groups. Mr. Boxell has
successfully brought dances from the village to the stage, and he
has introduced many dances in the U.S. previously unknown outside
of their own regions. He pioneered the production of recordings
in the 1960s that became widely disseminated and popular among
U.S. folkdancers. He has directed and presented numerous youth
dance groups from Seattle and Los Angeles at the annual Greek
Orthodox Youth Folk Dance Festival, and groups under his
direction have won the coveted Sweepstakes award on several
occasions. Mr. Boxell first
conducted dance research in Greek Macedonia in the early 1960s.
In 1993, he organized a research dance tour to Greece in
conjunction with Yiannis Prantsides, director of the Lyceum, and
had the unique opportunity to revisit one of the same villages he
had first been to nearly 30 years earlier and observe how the
dances had evolved during that time period. His own roots derive, on his
mother's side, from Eastern Thrace. Joe has devoted many years to
conducting both secondary and primary field research on regional
dances, both in Greece and among Greek communities in the U.S. He
has collected an exhaustive library of scholarly research as well
as a comprehensive video library and musical archive, all of
which serve his seemingly endless font of knowledge on Greece
dance. He has also produced numerous anthology CDs of dances from
recorded sources not widely available in the U.S., which he makes
available to his classes. Joe has taught workshops around
the world for community groups and at major folk dance camps. He
has been a frequent guest teacher at the East European Folklife
Center music and dance camps. He was director of the Greek Music
Tour sponsored by the NEA and the Ethnic Folk Arts Center, New
York, in 1982. He has been a much sought-after resource by dance
group directors and has served as judge and advisor for the
annual West Coast Greek Orthodox Folk Dance Festival since 1984.
He also was co-founder and co-director of the annual World Music
and Dance Camp in Cape Cod. Yvonne M.
Hunt has more
than 20 years experience researching and teaching the ethnic
dances of Greece and the Balkans. She directed two performing
groups in the Seattle area, Panagyri and Pravo, and conducted
Greek dance workshops throughout the U.S., Greece, Canada,
France, Italy, Norway, Holland, and Finland. She has lectured and
written numerous articles on the Gypsies of Greece. Her book, Traditional
Dance in Greek Culture, was published in English in
1996 by the Center for Asia Minor Studies in Athens. A Greek
edition is soon to be released in Greece. Ms. Hunt lived in Greece from 1979
to 1993, teaching Greek dance, lecturing at universities and in
other venues, such as the Dora Stratou Theater, and serving on
many cultural committees. She continues her field research with
twice-yearly trips to Greece and also organizes dance seminars
there every summer. In 1998 she sponsored and organized a widely
successful series of dance workshops in conjunction with a U.S.
tour of the Karakostas Ensemble , a ziyia ensemble (zournades and
daouli) from Serres in Northern Greek Macedonia.
Anna Mavrou Bouziani is from
the island of Kalymnos in the Dodecanese Islands. She and her
husband are pharmacists and have a drug store in Kalamata, but,
she says, "My heart is in dancing Greek folk dances."
Yannis Konstantinou is very well-known as a teacher of Greek
Macedonian dance and culture throughout Greece and Europe and
among those North Americans who have had the good fortune to
experience the dance seminars he organizes annually in Agios
Germanos, overlooking Lake Prespa. Yannis' passion for
traditional music and dance began in his childhood, dancing with
his family in his parents' villages of Alona and Akrites in the
Florina region of Greece. In 1994, he produced an LP, The
Musical Tradition of Florina in collaboration with the Center of Greek Tradition.
Dennis Boxell has been a pioneer in the research and
teaching of Greek and Balkan dance. He displays a unique ability
to impart style, nuance, and feeling and to reach every level of
student from beginner to advanced. For more than 35 years, he has
contributed richly to the Balkan folk dance and music scene in
the U.S. through his field research, excellent workshops, and
involvement with performing ensembles, including the acclaimed
Koleda Ensemble Seattle.
Joe Kaloyanides Graziosi is one of the most respected authorities
on Greek dance in the U.S. His expertise can best be summed up
this way: Whenever no one seems to know the answer to a question
about Greek dance, the consensus is often, "Let's ask
Joe."